JSU's Department of Theatre and Film holds a variety of performances in the Stone Center Theatre and other venues. This archive consists primarily of materials created for these productions and donated to the Library by the Department of Theatre and Film. The materials include photographs, slides, playbills, and posters. While some materials date back to the 1940s, the bulk of the collection is from the 1970s onward, and the Library updates the archive with new productions periodically. The Library has supplemented the Theatre and Film materials with related images from the Photographic Services Negative Project and the Library's own Historical Image Collection.
Related materials of interest:
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The Bacchae (2015) | Image 031
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 032
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 033
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 034
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 035
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 036
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 037
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 038
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 039
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 040
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 041
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 042
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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The Bacchae (2015) | Image 043
Jacksonville State University
Performed: 12-15 November 2015; Euripides' "The Bacchae" was translated by Paul Woodruff. Dionysus, the god of wine, prophecy, religious ecstasy, and fertility, returns to his birthplace in Thebes seeking revenge and to punish the sceptics and those who believed the lies about his mother and his own conception. The play was directed by Caroline Price, scenic design by Jennifer Ivey, costume design by Freddy Clements, lighting design by Robert Graham. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 001
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 002
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 003
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 004
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 005
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 006
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 007
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 008
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 009
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 010
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 011
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.
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Dead Man's Cell Phone (2015) | Image 012
Jacksonville State University
Performed: 15-18, 22-25 October 2015; Sarah Ruhl's "Dead Man's Cell Phone" explores the paradox of modern technology's ability to both unite and isolate people in a digital age. The play was student directed by Savannah Jones, scenic design by Jason St. John, costume design by Meg McCrina, and lighting design by Keera Mitchell. Access to this digital image was provided by JSU Department of Theatre and Film.